2/24/2023 0 Comments Drug wars the camarena story movieHe believes the legalization of drugs deserves consideration. It’s not lost on the 48-year-old Del Toro, though, that the strife and pain caused by the war on drugs has now spanned his entire career. “You’ve got to build it up from zero, the character. It’s a cool director that I’m really excited to work with,” says Del Toro. He has played Che Guevara (“Che”), been a regular in the Marvel universe as The Collector and will always be beloved for his mumbling Fred Fenster in “The Usual Suspects.” He was also recently cast to play the villain in Colin Trevorrow’s “Star Wars: Episode VIII.” This string of films, from “Traffic” to “Sicario,” only make up a small part of Del Toro’s varied credits. “I’ve done many characters that live in that world, the drug wars and the drug world, but this one had a different angle.” “I’ve done my best not to repeat myself,” he says. But it’s an issue he says he feels passionately about. That Del Toro, whose family moved to Pennsylvania when he was 12 years old, has frequently found - or been found by - drug-war tales is somewhat surprising to him. It has to come from a deep emotional understanding.” When he doesn’t feel something, he cannot act. “He’s someone who’s very radical about authenticity. I just cut 90-95 percent of his dialogue. Villeneuve would often cut Del Toro’s dialogue, stripping the part down as he realized the actor did more with less. “For me, he was a source of information.”Ĭinematographer Roger Deakins likens the weary-eyed Del Toro to Robert Mitchum. “He knows a lot about that world being involved in movies and coming back with people who were involved in drug wars,” says Villeneuve. Villeneuve, the Quebecois director of “Prisoners,” was more confident. “And I tell you this one was one of those that I didn’t know.” I’ve been in movies where I thought it wasn’t going to work and it did,” Del Toro said in a recent interview. “I’ve been in movies where I think it’s going to work, and it doesn’t. “Nothing will make sense to your American ears, and you will doubt everything we do,” he warns Emily Blunt’s less-experienced FBI agent. He says little but has a weighty presence. “Sicario,” which debuted at the Cannes Film Festival in May and had its North American premiere at the Toronto Film Festival, has already drawn raves for Del Toro’s terse gravitas as a shadowy man known only as Alejandro. These stories are out there in the newspapers.” “I don’t know how it comes about, but all I can say is I’m an actor in this time,” says del Toro. 2), Del Toro finds himself back on the other side of the border, playing a mysterious mercenary joined with a CIA task force covertly pursing a Mexican drug lord. Christopher Canaan (supervising producer)įact-based story of undercover DEA agent Enrique Camarena who, while stationed in Guadalajara, uncovered a massive marijuana operation in Northern Mexico that led to his death and a remarkable investigation of corruption within the Mexican government.In Denis Villeneuve’s muscular, grim thriller “Sicario” (which opens Friday and expands nationwide Oct. Cast ActorĪt least four of the principal actors in Drug Wars: The Camarena Story later starred in the Academy Award-winning film Traffic, a film that also deals with the subject of the ongoing drug trade between the United States and Mexico. In a somewhat interesting reversal of roles, in Drug Wars actors Miguel Ferrer and Steven Bauer both play DEA agents while Benicio del Toro and Eddie Velez play drug traffickers in Traffic, Ferrer and Bauer both play drug traffickers, while del Toro and Velez play a Mexican federal narcotics agent and a DEA agent. In his review for The New York Times, John J. O'Connor wrote, "Perhaps not surprisingly, these amoral entrepreneurs provide some of the film's juicier roles. In his review for USA Today, Matt Roush wrote, "For a Michael Mann production, there's surprisingly little flash to Drug Wars.Įspecially effective is Benicio del Toro as the young, illiterate and flaky Rafael Caro-Quintero". Some interesting camera work to be sure, including the video bits and some heightened use of slow motion, but the miniseries' chief strength is its grit, its anger". Craig MacInnis, in his review for the Toronto Star, wrote, "Interspersed with U.S.
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